| Videos (see all 2 NEW) |
| Glenn Close | ... | Marquise Isabelle de Merteuil | |
| John Malkovich | ... | Vicomte Sébastien de Valmont | |
| Michelle Pfeiffer | ... | Madame de Tourvel | |
| Swoosie Kurtz | ... | Madame de Volanges | |
| Keanu Reeves | ... | Le Chevalier Raphael Danceny | |
| Mildred Natwick | ... | Madame de Rosemonde | |
| Uma Thurman | ... | Cécile de Volanges | |
| Peter Capaldi | ... | Azolan | |
| Joe Sheridan | ... | Georges | |
| Valerie Gogan | ... | Julie | |
| Laura Benson | ... | Emilie | |
| Joanna Pavlis | ... | Adèle | |
| Nicholas Hawtrey | ... | Major-domo | |
| Paulo Abel Do Nascimento | ... | Castrato | |
| François Lalande | ... | Curé | |
| François Montagut | ... | Belleroche | |
| Harry Jones | ... | Armand | |
| Christian Erickson | ... | Bailiff | |
| Catherine Cauwet | ... | Opera singer | |
| rest of cast listed alphabetically: | |||
| Shannon Finnegan | ... | (uncredited) | |
| Patricia Kessler | ... | (uncredited) | |
Directed by | |||
| Stephen Frears | |||
Writing credits(WGA) | ||
| Christopher Hampton | (play) | |
| Choderlos de Laclos | (novel "Les liaisons dangereuses") | |
| Christopher Hampton | (screenplay) | |
Produced by | |||
| Christopher Hampton | .... | co-producer | |
| Norma Heyman | .... | producer | |
| Hank Moonjean | .... | producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Howard Feuer | |||
| Juliet Taylor | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Gavin Bocquet | |||
| Gérard Viard | |||
Set Decoration by | |||
| Gérard James | |||
Costume Design by | |||
| James Acheson | |||
Makeup Department | |||
| Monique Huylebroeck | .... | makeup artist | |
| Peter Owen | .... | wig designer | |
| Dominique Plez | .... | makeup artist | |
| Malou Rossignol | .... | hair stylist | |
| Jean-Luc Russier | .... | supervising makeup artist | |
| Pierre Vadé | .... | hair stylist | |
| Bernard Floch | .... | makeup artist (uncredited) | |
Production Management | |||
| Patrick Gordon | .... | unit production manager | |
| Suzanne Wiesenfeld | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jérôme George | .... | third assistant director | |
| Vincent Lascoumes | .... | second assistant director | |
| Bernard Seitz | .... | first assistant director | |
Art Department | |||
| Paul Bastide | .... | painter | |
| Daniel Braunschweig | .... | property master | |
| Jean-François Cousson | .... | props (as Jean François Cousson) | |
| Jean-Michel Ducourty | .... | assistant art director (as Jean Michel Ducourty) | |
| Genevieve Fresca | .... | drapery | |
| Roger Fresca | .... | drapery | |
| André Loisif | .... | construction foreman | |
| André Marchandet | .... | chief plasterer | |
| Eve Mavrakis | .... | art department assistant | |
| Claude Périnet | .... | chief painter | |
| Félix Placenti | .... | prop buyer | |
| Claude Potier | .... | chief carpenter | |
| Patrick Torossian | .... | props | |
| Catherine Werner-Schmidt | .... | prop buyer (as Catherine Werner) | |
| Steve Clark | .... | trainee: art department (uncredited) | |
Sound Department | |||
| Christopher Ackland | .... | dialogue editor | |
| Peter Baldock | .... | assistant sound editor | |
| Mick Boggis | .... | assistant sound re-recording mixer | |
| Martin Crane | .... | assistant sound editor | |
| Richard Dunford | .... | dialogue editor | |
| Steve Hancock | .... | sound camera operator | |
| Peter Handford | .... | production sound mixer | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Michel Mellier | .... | cable person | |
| Kant Pan | .... | sound editor | |
| John Stevenson | .... | boom operator | |
| Elaine 'Chucks' Thomas | .... | assistant dialogue editor (as Elaine Thomas) | |
Stunts | |||
| Michel Carliez | .... | stunts (uncredited) | |
| Albert Goldberg | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Stéphane Agostini | .... | electrician | |
| Jean-Pierre Baronsky | .... | gaffer (as Jean Pierre Baronsky) | |
| Philippe Barrillet | .... | electrician | |
| Jean-Luc Bezeau | .... | grip | |
| Barthelemy Bogaert | .... | assistant camera | |
| Bernard Brégier | .... | key grip | |
| Gerard Buffard | .... | grip (as Gerard Buffard) | |
| Pierre Cottereau | .... | assistant camera | |
| Alain Dondin | .... | electrician | |
| Mike Fox | .... | camera operator | |
| Etienne George | .... | still photographer | |
| Jean Pierre Pujol | .... | electrician | |
| Gérard Rival | .... | grip | |
| Gérard Sionneau | .... | generator operator (as Gerard Sionneau) | |
| Myriam Touzé | .... | assistant camera | |
Casting Department | |||
| Leo Davis | .... | casting: UK | |
| Françoise Menidrey | .... | casting: France | |
| Jacqueline Perpere | .... | extras casting | |
Costume and Wardrobe Department | |||
| Isabelle Coignerai | .... | costume supervisor | |
| Brian Collins | .... | costume maker | |
| Chris Criddle | .... | costume maker | |
| Andree Demarez | .... | costumer | |
| Nathalie Doux | .... | costumer | |
| Magot Forster | .... | costume maker | |
| Frank Gardiner | .... | assistant costume designer | |
| Sylvia Grainger | .... | dress decoration | |
| Annie Hadley | .... | costume maker | |
| Janette Haslam | .... | costume maker | |
| Carole Hersee | .... | costume maker | |
| Alan Hopkins | .... | dress decoration | |
| Vanessa Hopkins | .... | dress decoration | |
| Danielle Laffargue | .... | costumer | |
| Day Murch | .... | costume maker | |
| Gwen Russell | .... | costume maker | |
| Phyllis Thorald | .... | embroidery | |
Editorial Department | |||
| Simon Cowper | .... | assistant editor | |
| Dan Gane | .... | editor trainee | |
| Françoise Roumanet | .... | assistant editor (as Francoise Roumanet) | |
| Annabel Ware | .... | assistant editor | |
| Yvan Lucas | .... | dailies timer (uncredited) | |
Music Department | |||
| Michael Connell | .... | music editor | |
| Keith Grant | .... | music recording engineer | |
| Jackie Krost | .... | music supervisor | |
| Gerry O'Riordan | .... | assistant music engineer (uncredited) | |
Transportation Department | |||
| Alain Domínguez | .... | transportation captain | |
Other crew | |||
| Martin Adams | .... | jeweller | |
| John Beharrell | .... | accountant | |
| Denise Breton | .... | unit publicist | |
| Gerald Cheshire | .... | milliner | |
| Shirley Cooper | .... | jeweller | |
| Sophie Drouin | .... | production accountant | |
| Cathy Dutheil | .... | production secretary (as Catherine Hall) | |
| Penny Eyles | .... | script supervisor | |
| Pierre Gralhon | .... | location manager | |
| William Hobbs | .... | duel coordinator | |
| Olivier Lhoste | .... | location manager | |
| Richard Liebegott | .... | assistant: Hank Moonjean | |
| Colette Martin | .... | accountant | |
| Lorraine McKee | .... | milliner | |
| Cecile Moreau | .... | dyer | |
| Pat Newcomb | .... | financial representative (as Patrick Newcomb) | |
| Caspian Owen | .... | assistant: Patrick Newcomb | |
| Jean Michel Penkhoss | .... | assistant location manager | |
| Pierre Romans | .... | opera stager | |
| Julian Rothenstein | .... | title designer | |
| Eliza Thompson | .... | assistant: George Fenton | |
| Tor Van Moyland | .... | assistant: Norma Heyman | |
| Blanche Wiesenfeld | .... | production coordinator | |
| Michel Carliez | .... | duel double (uncredited) | |
| Albert Goldberg | .... | duel double (uncredited) | |
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| Basic Instinct | Les liaisons dangereuses | Valmont | Cruel Intentions | The Libertine |
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You wouldn't necessarily think that an adaptation of an albeit famous 17th century French novel would make a relevant and fascinating piece of cinema... but it does.
The first thing that strikes you is how well the film is lit and shot. The period locations and costumes are visually sumptuous and perfect. Better yet, the acting entirely matches the skill of the direction that takes its method from the theatre - emotions are conveyed by expression and not dialogue. Glenn Close gives her best performance on celluloid as the scheming Madame de Merteuil, amorally hellbent on bending everyone to her will, no matter the method or the cost, and John Malkovitch is her perfect foil as the cynical hedonistic but world-weary Valmont. Michelle Pfeiffer engages our empathy as the tortured and manipulated target of Malkovitch's desire and Close's plotting.
The film is basically a morality tale, but one that fascinates in its exposure of ego, vanity, intrigue and the war between the genders, subjects that are timeless in their relevance, despite the period setting. The storyline, which sticks faithfully to the original novel, remains compelling throughout as we watch deceits within deceits take their tragic course. Whole-heartedly recommended - take your time over it, and enjoy.