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Directed by | |||
| Ron Fricke | |||
Writing credits(in alphabetical order) | ||
| Constantine Nicholas | treatment | |
| Genevieve Nicholas | treatment | |
Produced by | |||
| Mark Magidson | .... | producer | |
| Alton Walpole | .... | supervising producer | |
Original Music by | |||
| Michael Stearns | |||
Cinematography by | |||
| Ron Fricke | |||
Film Editing by | |||
| David Aubrey | |||
| Ron Fricke | |||
| Mark Magidson | |||
Sound Department | |||
| David Brownlow | .... | location sound recordist | |
| David Brownlow | .... | sound | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| John Morris | .... | sound designer | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Jeffrey R. Payne | .... | sound transfer | |
| Joseph Piantadosi | .... | sound transfer | |
| Miguel Rivera | .... | dialogue editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Michael Semanick | .... | foley engineer | |
| Tom Sherlock | .... | sound transfer | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Michael Stearns | .... | location sound recordist | |
| John Joseph Thomas | .... | sound effects editor | |
| Eric Thompson | .... | foley engineer | |
Camera and Electrical Department | |||
| Lee Parker | .... | cinematography consultant | |
| Richard Vetter | .... | cinematography consultant | |
Editorial Department | |||
| David Bartholomew | .... | post-production consultant: 70 mm film assembly | |
| Gay Browning | .... | first assistant editor | |
| James Sheridan | .... | negative cutter | |
| Christopher Kulikowski | .... | post-production assistant (uncredited) | |
Other crew | |||
| Kimber Hightower | .... | production assistant | |
| Robin Smith | .... | location researcher | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |