| Photos (see all 27 | slideshow) | Videos (see all 6 NEW) |
| Kevin Spacey | ... | Quoyle | |
| Julianne Moore | ... | Wavey Prowse | |
| Judi Dench | ... | Agnis Hamm | |
| Cate Blanchett | ... | Petal | |
| Pete Postlethwaite | ... | Tert Card | |
| Scott Glenn | ... | Jack Buggit | |
| Rhys Ifans | ... | Beaufield Nutbeem | |
| Gordon Pinsent | ... | Billy Pretty | |
| Jason Behr | ... | Dennis Buggit | |
| Larry Pine | ... | Bayonet Melville | |
| Jeannetta Arnette | ... | Silver Melville | |
| Robert Joy | ... | EMS Officer | |
| Alyssa Gainer | ... | Bunny Quoyle | |
| Kaitlyn Gainer | ... | Bunny Quoyle | |
| Lauren Gainer | ... | Bunny Quoyle | |
| John Dunsworth | ... | Guy Quoyle | |
| Anthony Cipriano | ... | Quoyle - Age 7 | |
| Kyle Timothy Smith | ... | Quoyle - Age 12 (as Kyle Smith) | |
| Ken James | ... | Newspaper Boss | |
| Roman Podhora | ... | Muscular Man | |
| Luke Fisher | ... | Barfly | |
| Terry Daly | ... | Hunky Guy | |
| Gary Levert | ... | Newspaper Employee | |
| Stephen Morgan | ... | Bartender Dave | |
| Katherine Moennig | ... | Grace Moosup | |
| Daniel Kash | ... | Detective Danzig | |
| Will McAllister | ... | Herry Prowse | |
| Marc Lawrence | ... | Cousin Nolan | |
| Kathryn Fraser | ... | Daycare Mom | |
| Nancy Beatty | ... | Mavis Bangs | |
| R.D. Reid | ... | Alvin Yark | |
| Deborah Grover | ... | Edna Buggit | |
| Jon Whalen | ... | Big Guy | |
| Nicole Underhay | ... | Beety Buggit | |
| Emma Taylor-Isherwood | ... | Agnis Hamm - Age 12 | |
| Andrew Fowler | ... | Guy Quoyle - Age 15 | |
| John MacEachern | ... | Drunken Guy | |
| Jonathan Creaser | ... | Paramedic |
Directed by | |||
| Lasse Hallström | |||
Writing credits(WGA) | ||
| Annie Proulx | (novel) (as E. Annie Proulx) | |
| Robert Nelson Jacobs | (screenplay) | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Oliver Stapleton | |||
Film Editing by | |||
| Andrew Mondshein | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Sheila Lane | |||
| Suzanne Smith | |||
Production Design by | |||
| David Gropman | |||
Art Direction by | |||
| Mark Laing | |||
| Peter Rogness | |||
| Karen Schulz Gropman | |||
Set Decoration by | |||
| Patricia Larman | |||
| Gretchen Rau | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | |||
Makeup Department | |||
| Christine Hart | .... | key makeup artist | |
| Tania McComas | .... | makeup artist: Kevin Spacey | |
| Emanuel Millar | .... | key hair stylist (as Emanuel 'Manny' Millar) | |
| Carol A. O'Connell | .... | hair stylist: Kevin Spacey | |
| Elaine L. Offers | .... | makeup artist: Ms. Moore (as Elaine Offers) | |
| Colleen Ryan | .... | makeup artist | |
| Edward St. George | .... | hair stylist: Ms. Moore | |
Production Management | |||
| Alicia Sams | .... | post-production supervisor | |
| Mari-Jo Winkler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Barry | .... | second assistant director | |
| Stephen P. Dunn | .... | first assistant director | |
| Dave 'Foots' Footman | .... | assistant director: second unit (as David Footman) | |
| Susan Foulkes | .... | assistant director: second unit | |
| Andrew Mondshein | .... | second unit director | |
| Richard Patrick | .... | first assistant director: reshoots | |
| Paul Pope | .... | assistant director: second unit | |
| Cara Powell | .... | assistant director: second unit | |
| John Shurko | .... | trainee assistant director | |
| Kelly Stone | .... | assistant director: second unit | |
| John Vatcher | .... | trainee assistant director | |
| Jennifer Zimmer | .... | assistant director | |
| Bruce Zwicker | .... | third assistant director | |
Art Department | |||
| Lorne Armstrong | .... | lead man | |
| Art Baxter | .... | construction coordinator | |
| Miriam Bell-Irving | .... | greensperson | |
| Miriam Bell-Irving | .... | set dresser | |
| Daniel R. Bradette | .... | assistant property master | |
| James H. Chow | .... | property master | |
| Shelley Cornick | .... | art department trainee | |
| John Davis | .... | storyboard artist | |
| Cyd Fenwick | .... | camera scenic artist | |
| Randy Hardy | .... | head scenic | |
| Darren Howse | .... | art department production assistant | |
| Patricia Larman | .... | set decorator: Halifax | |
| Catherine Leighton | .... | assistant property master | |
| Cameron Marsha | .... | lead scenic | |
| Mary Louise McCloskey | .... | painter | |
| Terry Quennell | .... | assistant art director | |
| Dusty Reeves | .... | art department coordinator | |
| Gabriele Schnutgen | .... | head scenic | |
| Jason Shurko | .... | set dresser | |
| John Snow | .... | key scenic artist | |
| David Sutherland | .... | head carpenter: Newfoundland | |
| Christine Wick | .... | set decoration buyer | |
| Ashley Winter | .... | assistant art director: UK | |
Special Effects by | |||
| Dan Cervin | .... | special effects assistant | |
| Walter Klassen | .... | fabricator: mechanical effects | |
| Lars Lenander | .... | special effects foreman | |
| Arnold Pentecost | .... | special effects technician | |
| Neil Trifunovich | .... | special effects supervisor | |
Visual Effects by | |||
| Iain Anderson | .... | digital artist | |
| Mark Bakowski | .... | digital compositor | |
| Angus Cameron | .... | digital effects supervisor | |
| Michelle Corney | .... | visual effects coordinator | |
| Gary Coulter | .... | digital artist | |
| Sean Danischevsky | .... | digital artist: title sequence: Mill Film | |
| Evan Davies | .... | digital artist | |
| Yasmine El-Ghamrawy | .... | digital effects | |
| Caroline Garrett | .... | digital artist | |
| Antony Hunt | .... | executive Producer: Mill Film | |
| Sharon Lark | .... | visual effects producer | |
| Sarah Lockwood | .... | digital artist | |
| Adam McInnes | .... | digital compositor | |
| Gareth Murphy | .... | data operator | |
| Gareth Murphy | .... | visual effects | |
| Hannah Peirce | .... | digital compositor | |
| Daniel Pettipher | .... | 2D digital supervisor | |
| Tom Rolfe | .... | digital compositor | |
| Angie Wills | .... | visual effects producer | |
| Kathy Wise | .... | digital I/O | |
| Paula Pope | .... | digital coordinator (uncredited) | |
Stunts | |||
| Randy Boliver | .... | stunt coordinator | |
| Peter James | .... | stunt performer (as James Symington) | |
| Gilbert Larose Jr. | .... | stunt double: Kevin Spacey | |
| Rea Nolan | .... | stunt actor | |
| John Walsh | .... | stunt coordinator | |
Casting Department | |||
| Robin D. Cook | .... | casting: Canada | |
| Deborah Maxwell Dion | .... | casting assosciate: Los Angeles | |
| David H. Kramer | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sonya M. Andonov | .... | set costumer | |
| Bethana Briffett | .... | costumer | |
| Dorothy Crutcher | .... | assistant costume designer | |
| Victoria Rockwell | .... | costume extras coordinator | |
| Andre Schulz | .... | costume supervisor | |
| Elizabeth Shelton | .... | associate costume designer | |
Editorial Department | |||
| Regan Avery | .... | assistant editor | |
| Ian Blume | .... | apprentice editor | |
| Jennifer Davidoff Cook | .... | associate editor | |
| Linus Hume | .... | assistant post-production supervisor | |
| Anne O'Brien | .... | first assistant editor | |
| Mila Patriki | .... | dailies colorist | |
| Cathy Rait | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Lorraine Samuel | .... | assistant editor | |
| Paul Wagtouicz | .... | assistant editor | |
| Claus Wehlisch | .... | first assistant editor: Sweden | |
Music Department | |||
| Samantha Barker | .... | assistant to composer | |
| Wael Binali | .... | scoring coordinator: Christopher Young | |
| Konstantinos Christides | .... | orchestrator | |
| Konstantinos Christides | .... | score coordinator | |
| Annie B. Cohen | .... | assistant music editor | |
| John M. Davis | .... | music editor | |
| Thomas S. Drescher | .... | music editor | |
| Robert Fernandez | .... | scoring mixer | |
| Jon Kull | .... | orchestrator | |
| Flavio Motalla | .... | score producer | |
| Jonathan Price | .... | score producer | |
| Jasper Randall | .... | scoring coordinator: Christopher Young | |
| Joe Rangel | .... | music coordinator | |
| Randy Spendlove | .... | music supervisor | |
| Haseo Nakanishi | .... | score mock-up (uncredited) | |
Transportation Department | |||
| Jason Andrews | .... | driver | |
| Lori Ann Bellefontaine | .... | driver | |
| Wayne Corragen | .... | transportation coordinator (as Wayne Corrigan) | |
| Gert Gielen-MacGregor | .... | driver | |
| Rick Gosse | .... | driver | |
| Rod Jerrett | .... | driver | |
| Cory Lawrence | .... | driver | |
| Roger Maunder | .... | driver | |
| Fred Rex | .... | driver | |
| Greg Thomas | .... | unit driver | |
| John Vivian | .... | driver | |
| Richard Wade | .... | unit driver | |
| Tom Webber | .... | unit driver | |
Other crew | |||
| Randall Balsmeyer | .... | title designer | |
| Craig Bankey | .... | unit publicist | |
| Michael Beaudin | .... | second assistant accountant | |
| Dana Brunetti | .... | assistant: Kevin Spacey | |
| Kelly Carmichael | .... | assistant: Ms. Poster | |
| J. John Corbett | .... | title designer | |
| June Czerwinski | .... | associate: Winkler Films | |
| Joel Flewelling | .... | assistant: Ms. Holleran and Ms. Goldstein Knowlton | |
| Gina Fowler | .... | production coordinator | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein | |
| Charles Harrington | .... | location manager | |
| Tracey Hatcher | .... | assistant production coordinator | |
| Susan Jennings | .... | assistant: Ms. Dench | |
| Marion Koh | .... | production assistant | |
| John MacEachern | .... | production assistant | |
| Eva MacGregor | .... | assistant accountant | |
| Nancy MacInnis | .... | production secretary | |
| Trish MacInnis | .... | assistant: Mr. Hallström | |
| Ann McLaren | .... | laboratory technician | |
| Emily Palmer | .... | production assistant | |
| Dorothy Precious | .... | production accountant | |
| Jonathan Price | .... | synthesizer programmer | |
| Robin M. Reelis | .... | assistant production coordinator | |
| Guillaume Renberg | .... | remote head technician | |
| Carol Rothel | .... | first assistant accountant | |
| Kim Stewart | .... | assistant: Ms. Moore and Ms. Blanchett | |
| Kirsten Tomilson | .... | assistant: Ms. Pokorny | |
| Nadia Venesse | .... | dialect coach | |
| Roy Waldspurger | .... | technical consultant: avid | |
| Michael Wamboldt | .... | marine coordinator | |
| Brian W. White | .... | location assistant | |
| Darren Winter | .... | security coordinator | |
Thanks | |||
| Lena Olin | .... | very special thanks | |
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| Die Blechtrommel | Snow Falling on Cedars | Boy A | Notes on a Scandal | Die Fälschung |
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Often when watching a film with a cast which has more Oscar nominations in their careers than the film has minutes, a level of expectations will be engraved which exceeds far above a film than which one should. Such is an example with the poignant, touching and often funny film, The Shipping News.
The Shipping News is film about loss, recovery, pain, but most of all, recovery. When a person loses a loved one, or in this case, a person who loses someone they think they love, it comes with a package of emotional stress and remorse. The person they lose is immortalized within their thoughts, usually in a positive, memorable perspective.
The story begins with a narration by Quoyle (Spacey), and through this depressing and self defeating narration, we learn that Quoyle is man who has never succeeded in anything, is a failure in his family's eyes, and has never accomplished one thing in his entire life. He struggles through every miserable task he is given, he aches at the thought of one more day.
As a defeated man who has never loved, never laughed, and never succeeded, he is desperate for something, desperate for someone. When he meets a woman named Petal (Blanchett) he thinks he's in love. We see a woman who is looking for a costumer, looking for someone to spend the night with. Quoyle sees a wife, someone to spend the rest of his life with. So without hesitation, he takes a swing at this wild tiger. He thinks he has achieved that echelon of happiness. He has a darling little girl, he has a wife, and he has a steady job. But he soon learns that one person, a person he has known for little over a few years, can turn his life upside down. After a realistic and inevitable chain of events, he is back to his pitiful little life. Only this time, he's lost more than he can handle. His own emotional attachments have become his own emotional destruction.
In the midst of these happenings, Quoyle is met at the door by his Aunt Agnis (Dench), whom he has never met. She suggests they begin a new future, for she too has lost something. She decides that they should travel to their native roots, in Newfoundland. The future looks bleak to Quoyle, but only the happiest of times look ahead to Agnis. At least from our perspective.
Throughout the film we are met by several supporting characters played by familiar and not so familiar actors. These characters, while they may seem supporting, play the largest part in the film. For these characters are the building blocks which help Quoyle begin his `transformation'. These are the people which help Quoyle recognize his roots and why he must belong there. Throughout these characters, we are met with many intertwining storylines which could make a whole entire film by themselves. But these characters are all here to help one man find a reason. A reason for being.
Throughout this masterful tale of loss, recovery, and pain, we discover that problems exist within problems. We learn that the future may result in failure, but will always have an answer. The answer lies within Quoyle himself. While these supporting players may have an impact on Quoyle's job and home, Quoyle is the only one who can help find happiness for himself.
With a star-studded cast which shines with the inspiring score by Christopher Young, Lasse Hallstrom has created a film which should not be overlooked, but should be look upon as a film which displays how courage, love, and faith, can overcome loss, struggle, and pain.