|
| Andrea Adams | .... | CG animator: Peerless |
| Stephan Allender | .... | visual effects: MPC |
| Rob Allman | .... | lead CG artist: Mill Film |
| Paul Amer | .... | lead CG artist: Mill Film |
| Jesper Andersen | .... | visual effects: Digital Film Lab London |
| Iain Anderson | .... | supervising 3D animator: Mill Film, Shepperton |
| Marilyn Anderson | .... | technical assistant manager: Mill Film |
| Laya Armian | .... | visual effects coordinator: Mill Film |
| Jonathan Attenborough | .... | CG artist: Mill Film |
| Isabel Auphan | .... | visual effects: Cinesite Europe |
| Dimitri Bakalov | .... | animation supervisor: Cinesite |
| Murray Barber | .... | digital preparation: Mill Film |
| Giacomo Bargellesi | .... | technical assistant: MillFilm |
| Steve Barnes | .... | digital compositor: Mill Film, Soho |
| Lloyd Lee Barnett | .... | digital compositor |
| Angela Barson | .... | digital compositor: MPC |
| Shane Bartley | .... | digital artist: MPC |
| Keith Barton | .... | technical services: Cinesite |
| Gavin Baxter | .... | CG artist: Mill Film |
| Nick Bedford | .... | digital effects production assistant: Peerless Camera Co |
| Steven Begg | .... | visual effects supervisor (as Steve Begg) |
| Sara Bennett | .... | digital preparation: Mill Film |
| John Benn | .... | visual effects: Cinesite Europe |
| Hitesh Bharadia | .... | digital artist: Mill Film |
| Cheryl Bickerton | .... | visual effects: Cinesite Europe |
| Martin Body | .... | lead rotoscope artist: Peerless |
| Philip Borg | .... | digital artist: Mill Film, Soho |
| Will Broadbent | .... | CG artist: Mill Film |
| Toby Brockhurst | .... | visual effects: Digital Film Lab London |
| Nicola Brodie | .... | CG artist: Mill Film |
| Colin Brown | .... | executive producer: Cinesite Europe |
| Jon R. Brown | .... | visual effects production assistant (as Jon Brown) |
| Mara Bryan | .... | visual effects supervisor |
| Nathalie Buce | .... | CG animator: Cinesite |
| Angus Cameron | .... | digital effects supervisor: Mill Film, Shepperton |
| Kevin Campbell | .... | lead software developer: Mill Film |
| Tim Caplan | .... | I/O supervisor: Mill Film |
| Debra Coleman | .... | digital compositor (as Debra Smith) |
| Debra Coleman | .... | visual effects: Cinesite Europe (as Debra Smith) |
| Philip Coleman | .... | grip: visual effects unit |
| Mark Coleran | .... | on-set screen graphics |
| Grant Connor | .... | digital compositor: Mill Film |
| Martin Cook | .... | visual effects: MPC |
| Laurent Cordier | .... | visual effects: Cinesite Europe |
| Michelle Corney | .... | visual effects coordinator |
| Colin Coull | .... | colour timer: Mill Film |
| Gary Coulter | .... | 3D digital supervisor: Mill Film, Shepperton |
| Victoria Coxon | .... | 3D technical assistant: Mill Film, Shepperton |
| Simon Cox | .... | visual effects: MPC |
| Stuart Cripps | .... | digital compositor: Mill Film, Soho |
| Steve Cutmore | .... | visual effects: Peerless |
| Ken Dackermann | .... | digital compositor |
| Sean Danischevsky | .... | digital compositor: Mill Film, Shepperton |
| Evan Davies | .... | supervising 3D animator: Mill Film, Shepperton |
| Keith Devlin | .... | visual effects: Cinesite Europe |
| Gavin Digby | .... | digital compositor: Cinesite Europe |
| John Paul Docherty | .... | digital visual effects supervisor: Peerless |
| Eric D'Souza | .... | visual effects: Digital Film Lab London |
| Wayde Duncan-Smith | .... | lead CG artist: Mill Film |
| Louis Dunlevy | .... | CG animator: CFC |
| Frederic Dusand | .... | lead CG artist: Mill Film |
| Paddy Eason | .... | visual effects: MPC |
| Mark Eggenweiler | .... | visual effects editor |
| Michael Elson | .... | visual effects: MPC |
| Richard Etchells | .... | visual effects: MPC |
| Jonathan Fawkner | .... | compositing artist: CFC |
| Ian Fellows | .... | compositing artist: CFC |
| Andy Fowler | .... | digital effects producer: Peerless (as Andrew Fowler) |
| Ian Frost | .... | CG animator: CFC |
| Martin Gabriel | .... | visual effects production manager: Cinesite |
| Andrew Garnet-Lawson | .... | digital matte artist (as Andrew Garnett-Lawson) |
| Steve Garrad | .... | digital effects producer: Cinesite Europe |
| Caroline Garrett | .... | digital artist: Mill Film, Shepperton |
| Paul Goodfellow | .... | CG animator: CFC |
| Davina Gottschalk | .... | digital compositor: MPC |
| Deanna Gould | .... | production manager: Cinesite Europe (as Deanna Conner Gould) |
| Katherine Granger | .... | digital compositor: Mill Film |
| Steve Gray | .... | visual effects: MPC (as Stephen Gray) |
| Ruth Greenberg | .... | visual effects line producer: CFC |
| Phil Green | .... | visual effects: Cinesite Europe |
| Anita Gribble | .... | visual effects: Peerless |
| Darrel Griffin | .... | visual effects: CFC |
| Andy Hague | .... | visual effects editorial: CFC |
| Jeremy Hall | .... | chief technology officer (as Jeremy O'Brien-Hall) |
| Jeremy Hall | .... | visual effects: Cinesite Europe (as Jeremy O'Brien-Hall) |
| Martin Hall | .... | paint/roto artist |
| Steen Lyders Hansen | .... | visual effects: Digital Film Lab London |
| Andy Hargreaves | .... | visual effects: Cinesite Europe |
| Simon Haslett | .... | visual effects: Cinesite Europe |
| Nic Hatch | .... | CG artist: Mill Film |
| Ed Hawkins | .... | compositing supervisor: MPC |
| Ben Hayden | .... | CG artist: Mill Film |
| Kieron Helsdon | .... | digital artist |
| Robert Hemmings | .... | lead CG animator: Mill Film (as Rob Hemmings) |
| Charley Henley | .... | digital compositor: MPC |
| Grant Hewlett | .... | 3D artist |
| Martin Hobbs | .... | visual effects producer: MPC |
| Mark Hodgkins | .... | CG animator: CFC |
| Jan Hogevold | .... | visual effects: CFC |
| Katja Hollmann | .... | scanning and recording operator: Cinesite |
| Mark Hopkins | .... | digital compositor |
| David Houghton-Williams | .... | visual effects: Cinesite Europe (as Dave Williams) |
| Lorea Hoye | .... | visual effects producer: Mill Film |
| Robin Huffer | .... | 3D animator: Mill Film, Shepperton |
| Neil Hughes | .... | facility manager: Mill Film |
| Simon Hughes | .... | visual effects: Cinesite Europe |
| Laurent Hugueniot | .... | CG supervisor: Mill Film |
| Antony Hunt | .... | executive Producer: Mill Film |
| Adam Inglis | .... | digital lab operator: CFC |
| Dag Iversay | .... | visual effects: Cinesite Europe (as Dag Ivarsoy) |
| Merrin Jensen | .... | visual effects: MPC |
| Drew Jones | .... | visual effects executive producer: CFC |
| Hayden Jones | .... | visual effects: Cinesite Europe |
| Pete Jopling | .... | digital compositor: Mill Film, Soho (as Peter Jopling) |
| Matt Kasmir | .... | digital compositor: CFC |
| Laurent Kermel | .... | lead CG artist: Mill Film |
| Amar Koeri | .... | systems engineer |
| Kris Kolodziejski | .... | visual effects supervisor: Digital Film Lab London |
| Rita Kunzler | .... | visual effects: MPC |
| Paul Ladd | .... | visual effects coordinator: Cinesite |
| Paul Lambert | .... | composite designer: Cinesite Europe |
| James Lamb | .... | visual effects producer |
| Stefan Lange | .... | visual effects cameraman |
| Cyn Langley | .... | visual effects: Mill Film, Soho |
| Sharon Lark | .... | visual effects producer |
| Douglas Larmour | .... | digital compositor: MPC |
| Mathias Larserud | .... | digital artist: Cinesite UK |
| Colin Laski | .... | visual effects |
| Ray Lau | .... | visual effects editor |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital |
| Jeremy Lazare | .... | 3D animator: Cinesite Europe |
| Derek Ledbetter | .... | visual effects |
| Jean Lee | .... | visual effects: Cinesite Europe |
| Matt Leonard | .... | 3D animator |
| John Leonti | .... | visual effects: MPC |
| Penny Leyton | .... | CG animator: CFC |
| Katherine Little | .... | production assistant: Mill Film, Shepperton |
| Richard Little | .... | digital compositor: Mill Film, Shepperton |
| Giles Livesey | .... | digital film colorist |
| Nick Lloyd | .... | lead CG artist: Mill Film (as Nicolas James Lloyd) |
| Sarah Lockwood | .... | digital compositor: Mill Film, Shepperton |
| Charlotte Loughnane | .... | visual effects: MPC |
| Roz Lowrie | .... | visual effects: CFC |
| Matthew Lynch | .... | visual effects producer: Cinesite Europe (as Matt Lynch) |
| Alasdair MacCuish | .... | data operations: Cinesite |
| Aron Makkai | .... | technical director: Cinesite Europe |
| David Man | .... | digital compositor: Mill Film |
| Matthew Maude | .... | visual effects: Cinesite Europe |
| Stuart McAra | .... | visual effects producer: Cinesite Europe |
| Lindsay McFarlane | .... | visual effects assistant |
| Steve McGee | .... | compositing artist: CFC |
| Joel Meire | .... | CG tracking: CFC |
| Mark Michaels | .... | visual effects sequence supervisor: Cinesite Europe |
| Ivor Middleton | .... | CG sequence supervisor: Mill Film |
| Alice Mitchell | .... | 2D compositor: Mill Film, Shepperton |
| Karl Mooney | .... | visual effects supervisor: Mill Film |
| Ben Morris | .... | CG artist: Mill Film |
| Michael Mulholland | .... | digital artist: Cinesite Europe |
| Steve Murgatroyd | .... | digital compositor: Mill Film |
| Gary Napier | .... | visual effects producer: Digital Film Lab London |
| Jonathan Neill | .... | CGI animator: Cinesite |
| Mark Nelmes | .... | supervising compositor: CFC |
| Claire Newbury | .... | visual effects: Peerless |
| Helen Newby | .... | digital compositor: Mill Film, Shepperton |
| Jessica Norman | .... | visual effects: MPC |
| Paul Oakley | .... | technical assistant: Mill Film |
| Tim Ollive | .... | visual effects: Peerless |
| Tor-Bjorn Olsson | .... | digital compositor: Cinesite Europe |
| Dylan Owen | .... | technical assistant: Mill Film |
| Matthew Packham | .... | visual effects: MPC |
| Dominic Parker | .... | supervising CG animator: CFC |
| Steve Parsons | .... | senior data operator |
| Alex Payman | .... | compositing artist: CFC |
| Simon Payne | .... | digital artist: Mill Film, Soho |
| Stuart Pearson | .... | scanning and recording manager: Cinesite Europe |
| Craig Penn | .... | lead character animator: MillFilm |
| Joseph Pepper | .... | CG artist: Mill Film |
| Antoinette Perez | .... | Inferno producer: Cinesite |
| Lynn Perez | .... | 2D compositor: Mill Film, Shepperton |
| Nigel Permane | .... | first assistant camera: visual effects unit |
| Eric Petey | .... | digital artist: Cinesite UK |
| David Phillips | .... | digital compositor: Mill Film |
| Mark Pinheiro | .... | digital compositor: Mill Film |
| Mark Pinheiro | .... | digital preparation: Mill Film |
| Ian Plumb | .... | digital compositor: Mill Film |
| Paula Pope | .... | digital coordinator: Mill Film, Shepperton (as Paula Hughes) |
| Jonathan Privett | .... | visual effects: Cinesite Europe |
| Andrew Quinn | .... | CG animator: CFC |
| Leigh Raby | .... | filmout manager: Mill Film |
| Rudy Raijmakers | .... | lead character animator: Mill Film |
| David Rey | .... | digital compositor: Cinesite Europe |
| Sandra Roach | .... | digital compositor: MPC |
| Gillian Roberts | .... | production development: Cinesite Europe |
| Richard Roberts | .... | lead compositor: Mill Film |
| Chad Rogers | .... | visual effects: CFC |
| Tom Rolfe | .... | digital compositor: Mill Film, Shepperton |
| Sally Ross | .... | visual effects coordinator |
| Andreas Rostock | .... | visual effects: Digital Film Lab London |
| Alex Rothwell | .... | CG artist: Mill Film |
| Craig Rowe | .... | technical assistant: MillFilm |
| Sue Rowe | .... | digital effects supervisor: Cinesite |
| Gregory Salter | .... | digital compositor: MPC (as Greg Salter) |
| Olivier Sarda | .... | digital compositor: Cinesite Europe |
| Sean Schur | .... | visual effects supervisor |
| Christian Severin | .... | digital effects artist |
| Chris Shaw | .... | shoot supervisor: Mill Film |
| Dan Sheerin | .... | digital artist: Mill Film, Soho |
| Jennifer Simonds | .... | digital lab operator: CFC |
| Alex Smith | .... | digital compositor: Cinesite Europe |
| Sam Smith | .... | visual effects: Digital Film Lab London |
| Jason Snyman | .... | visual effects |
| Sophie Sorensen | .... | first assistant visual effects editor |
| Mario Spanna | .... | visual effects unit video assist operator: Useful Companies |
| Mark Spevick | .... | digital effects artist: Peerless |
| Dottie Starling | .... | digital artist: Cinesite UK |
| Kev Stenning | .... | laser scanning |
| Andy Stevens | .... | visual effects cameraman: Millfilm |
| Jelena Stojanovic | .... | digital compositor: MPC |
| Steve Street | .... | lead CG: Brahmin sequence, Cinesite |
| Maria Stroka | .... | digital grading production coordinator: CFC (as Maria Stroka Robinson) |
| Maria Stroka | .... | film recording producer: CFC (as Maria Stroka Robinson) |
| Maria Stroka-Robinson | .... | digital lab operator: CFC |
| Dusan Strugar | .... | lead character animator: Mill Film |
| Rangi Sutton | .... | CG animator: CFC |
| John Swinnerton | .... | compositor: Peerless |
| Michael Talarico | .... | photographic effects supervisor: Cinesite UK (as Michael J. Talarico) |
| Olcun Tan | .... | lead TD 3D/R&D: Millfilm |
| Richard S.G. Thompson | .... | CG artist: Mill Film |
| Gavin Toomey | .... | compositing artist: CFC |
| Simon Trafford | .... | visual effects: MPC |
| Ben Turner | .... | digital compositor: Mill Film |
| Marc Twinam-Cauchi | .... | CG artist: Peerless Camera |
| Rob van der Bragt | .... | visual effects: Cinesite Europe |
| Courtney Vanderslice | .... | head of production: Cinesite Europe (as Courtney Vanderslice-Law) |
| Kitty Veevers | .... | digital compositor: Mill Film |
| Lars Vinther | .... | visual effects editor: Mill Film |
| Victor Wade | .... | digital paint artist: CFC |
| Niki Wakefield | .... | digital compositor: Mill Film |
| Tara Walker | .... | digital I/O |
| Daniel Walton | .... | digital compositor |
| Rachel Ward | .... | CG animator: CFC |
| Matt Welford | .... | digital compositor: Mill Film, Shepperton |
| Ben White | .... | CG artist: Mill Film |
| Andy Whittock | .... | visual effects: Cinesite Europe |
| Sheila Wickens | .... | digital compositor: Cinesite Europe (as Sheila Gorman) |
| Sheila Wickens | .... | visual effects: Cinesite Europe (as Sheila Gorman) |
| Royston Willcocks | .... | CG sequence supervisor: Mill Film |
| Angie Wills | .... | visual effects producer: Mill Film, Shepperton |
| Corrina Wilson | .... | digital artist |
| Rab Wilson | .... | assistant visual effects editor |
| Arthur Windus | .... | visual effects producer |
| Pat Wong | .... | senior compositor: Peerless |
| Tom Wood | .... | visual effects: MPC |
| Aviv Yaron | .... | 2D technical director: Cinesite |
| Dan Ashton | .... | scanning and recording (uncredited) |
| John Attard | .... | digital effects artist (uncredited) |
| Sam Breach | .... | previsualisation (uncredited) |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) |
| Stephen Dryer | .... | digital compositor (uncredited) |
| Simon Eves | .... | research and development: Cinesite (uncredited) |
| Metin Gungor | .... | roto/prep artist (uncredited) |
| Joey Harris | .... | technical assistant (uncredited) |
| Neil Harrison | .... | senior systems administrator (uncredited) |
| Theano Kazagli | .... | digital I/O: Cinesite (uncredited) |
| Brendan Lonergan | .... | armour/prop sculptor (uncredited) |
| Steve Lynn | .... | technical support (uncredited) |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) |
| Rick Mietkowski | .... | visual effects director of photography: insert unit (uncredited) |
| |
LORA CROFT: TOMB RAIDER / (2001) *** (out of four)
By Blake French:
At last, here is a successful screen adaptation from a video game. "Lora Croft: Tomb Raider" takes the plot seriously, and has a lot of fun with it. Unlike the silly "Wing Commander" and incompetent "Mortal Combat," this movie soars with its physical potential. The movie experienced many production complications, therefore I excepted it to symbolize the three tedious years of filmmaking, the director who bailed out, the sexual harassment charges filed, and the 11 screenwriters who couldn't satisfy Paramount Pictures, the bill, and Eidos Interactive, the company that owns the video game. "Lora Croft: Tomb Raider" manages to pull past its problematic filmmaking process and provide audiences with what is expected from this action packed extravaganza.
Academy Award winner Angelina Jolie portrays Lora Croft, who is a cross between Indiana Jones and James Bond. The role of Croft was not an easy accomplishment, even for Jolie. She endured great physical hardships during the shooting, including injuries to her knee, foot, and shoulder. It's a good thing that Jolie did the film, however, she's probably the only actress with the capabilities and physical appearance to handle such a role. Elizabeth Hurley, Sandra Bullock, Denise Richards, Ashley Judd, and Jennifer Love Hewitt were also among the actresses considered for the role. Any of those fine performers would have brought their own charm and delight to the role, but Croft feels perfect for Jolie.
The disposable premise is not just a clothesline for various action sequences. It stands alone as a needlessly complicated plot contraption concocted out of desperation and deadlines. I am glad the actors took it so seriously; this material begs for parody. Lora Croft discovers a key-based clock unidentifiable even by an antique dealer. Meanwhile, a ruthless member of a powerful society named Manfred Powell (Iain Glen) is waiting for a planetary alignment that occurs once every 5,000 years. This event will give the holder of two separated pieces of a magical stone the power over time itself. Croft and Powell learn that the key will unlock the whereabouts of those missing halves.
The rest of the plot follows the villains and heroes on their journey around the planet, searching for the various artifacts and precious instruments. The film will not disappoint action fans. Suspend disbelief and follow the film's absurd concepts, then the fast-paced action sequences, eye-popping special effects, and convincing sets will satisfy. The outcome of almost every single scene is as obvious as it is predictable, but that doesn't mean we enjoy the scenes any less. There are some exciting action sequences in "Lora Croft: Tomb Raider," although it's easy to become lost in the action; the frequent cuts and camera tricks often interrupt the flow of the action.
"Lora Croft: Tomb Raider" is a fun summer thrill ride. It's not a smart, savvy film, but compared to movies like "The Mummy Returns" it's a wake up call in the midst of a starving summer movie season. If you don't expect more than pointless action, you will get your money's worth.