| Photos (see all 2 | slideshow) | Videos (see all 2 NEW) |
| Rob LaBelle | ... | Sheldon Kasner | |
| Jan Rubes | ... | Marvin Telekunsky | |
| Allan Rich | ... | Hy Leibowicz | |
| Bill Meilen | ... | Harry Epstein | |
| David Paymer | ... | Morry Zimmer | |
| Seymour Cassel | ... | Sam Goldberg | |
| Jeff Seymour | ... | Jake Lightman | |
| Bill Mondy | ... | Stuart Lightman | |
| Linden Banks | ... | Rabbi Fernstein | |
| Nathaniel DeVeaux | ... | Lyle Devine | |
| Betty Linde | ... | Mrs. Graunbaum | |
| Nick Misura | ... | Real building manager | |
| Dagmar Midcap | ... | News Reporter #1 | |
| Mitra Loraz | ... | News Reporter #2 (as Mitra Lohrasb) | |
| rest of cast listed alphabetically: | |||
| Sashi Bommakanty | ... | Arab | |
| Elaine Kliner | ... | Extra | |
| Werner Thomas | ... | The Husband | |
| Arthur Wolak | ... | Extra | |
Directed by | |||
| Nicholas Racz | |||
Writing credits(in alphabetical order) | ||
| Nicholas Racz | writer | |
Produced by | |||
| Richard Baumgartel | .... | producer | |
| David Bouck | .... | line producer | |
| Howard Dancyger | .... | producer | |
| J. Todd Harris | .... | executive producer | |
| Raymond Massey | .... | executive producer | |
Original Music by | |||
| George Blondheim | |||
Cinematography by | |||
| Danny Nowak | |||
Film Editing by | |||
| Jeremy Presner | |||
Casting by | |||
| Eve Brandstein | |||
| Corinne Clark | |||
| Jennifer Page | |||
| Audrey Skalbania | |||
Production Design by | |||
| James Hazell | |||
Art Direction by | |||
| James Hazell | |||
Set Decoration by | |||
| Claudia Ventura | |||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Tricia Winslow | .... | key makeup artist | |
Production Management | |||
| David Bouck | .... | production manager | |
| Kirsten Newlands | .... | post-production supervisor | |
| Rick Ojeda | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Patricia Ann Dyer | .... | first assistant director (as Patricia Dyer Walden) | |
| Rick Ojeda | .... | first assistant director | |
Art Department | |||
| Sean Fitsimmons | .... | set dresser | |
| Jason Sutton | .... | property master | |
| Claudia Ventura | .... | set designer | |
Sound Department | |||
| Rick Bal | .... | sound | |
| Jay Cheetham | .... | sound editor | |
| Kris Fenske | .... | supervising sound editor | |
| Iain Pattison | .... | sound re-recording mixer | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Jean Raymond | .... | foley mixer | |
| Adam Sharpe | .... | adr mixer | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
| Matt Willoughby-Price | .... | boom operator | |
Special Effects by | |||
| Allen Benjamin | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Chris Banting | .... | dolly grip | |
| Warren Bruce | .... | generator operator | |
| Dean Clark | .... | generator operator | |
| Scott Clark | .... | gaffer | |
| John Marilley-Bodner | .... | best boy electric | |
| Trevor Martin | .... | lamp operator | |
| Stephen McCurry | .... | assistant camera: Los Angeles | |
| Mat Pasch | .... | lamp operator | |
| Jeff Petry | .... | still photographer | |
| Clayton Richard-Long | .... | second assistant camera: "a" camera | |
| Michael Taschereau | .... | key grip | |
Casting Department | |||
| Eve Brandstein | .... | casting: USA | |
Editorial Department | |||
| Warren Mazutinec | .... | assistant editor | |
| Gordon Williams | .... | assistant editor | |
Music Department | |||
| Cathi Black | .... | music supervisor | |
| Greg Hamilton | .... | music preparation | |
| Rich Walters | .... | music editor | |
Other crew | |||
| Cheryl-Lee Fast | .... | assistant to producer | |
| Lucie Guest | .... | production assistant | |
| Sian McArthur | .... | assistant to producer | |
| Adrian Salpeter | .... | unit publicist | |
| Werner Thomas | .... | assistant production coordinator | |
| Nicholas Thurkettle | .... | development associate | |
| Guy Villeneuve | .... | stand-in | |
| Darcy Wild | .... | location manager: preparation | |
| Corey C. Witte | .... | production executive | |
| Karen Wong | .... | production accountant | |
| Recent Posts (updated daily) | User |
|---|---|
| Your take on the ending... Potential Spoilers | The_Limey |
| please explain the ending! | tatararabuga |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb Canada section | Add this title to MyMovies |
The real interesting part of 'The Burial Society" happens at the beginning, where the main character tries to get into the Chevrah Kadisha, (essentially a Jewish Burial group) because his former occupation, as an office flunky wasn't going to well. Now, right there! THAT would be a great movie! But noooooooo It starts unraveling that our friendly businessman has a few skeletons in his closet, about why he joined the society in the first place, what really happened at his former job, etc etc.
I really did like the Barton Finkesque qualities that the main character, played by Rob Labelle brought to this role. I agree with a number with of reviewers that this movie tries to emulate the best Coen brothers work, (most notably, coincidentally enough, Barton Fink), but the movie tries WAY to hard and provides too many plot twists for viewers to fully understand what is going on, the ending doesn't help either, providing a cheat that leaves everything up in the air, leaving us trying, vainly, as I am sure repeat viewings wouldn't help, to piece everything together.