| Photos (see all 18 | slideshow) | Videos (see all 9 NEW) |
| Ioan Gruffudd | ... | William Wilberforce | |
| Romola Garai | ... | Barbara Spooner | |
| Benedict Cumberbatch | ... | William Pitt | |
| Albert Finney | ... | John Newton | |
| Michael Gambon | ... | Lord Charles Fox | |
| Rufus Sewell | ... | Thomas Clarkson | |
| Youssou N'Dour | ... | Olaudah Equiano | |
| Ciarán Hinds | ... | Lord Tarleton | |
| Toby Jones | ... | Duke of Clarence | |
| Nicholas Farrell | ... | Henry Thornton | |
| Sylvestra Le Touzel | ... | Marianne Thornton | |
| Jeremy Swift | ... | Richard the Butler | |
| Stephen Campbell Moore | ... | James Stephen | |
| Bill Paterson | ... | Lord Dundas | |
| Nicholas Day | ... | Sir William Dolben | |
| Georgie Glen | ... | Hannah More | |
| Nicholas Woodeson | ... | Harrison | |
| Tom Fisher | ... | John Ramsay | |
| Richard Ridings | ... | Speaker of the House | |
| David Hunt | ... | Lord Camden | |
| David Toole | ... | Beggar | |
| Alex Blake | ... | Heckler | |
| Angie Wallis | ... | Marjorie | |
| Harry Audley | ... | Edward Hope - Quaker | |
| Chris Barnes | ... | Michael Shaw - Quaker | |
| Tom Knight | ... | Physician | |
| Andrew Whipp | ... | MP 1 | |
| Andrew Neil | ... | MP 2 | |
| Estelle Morgan | ... | Maid | |
| Philip Dunbar | ... | Camber | |
| Adam Woodroffe | ... | Parliamentary Clerk | |
| Joseph Traynor | ... | Newton's Secretary | |
| Simon Delaney | ... | Young Parliamentary Officer | |
| Neville Phillips | ... | Old Parliamentary Official | |
| Eki Maria | ... | Young African Woman | |
| Daniel Naprous | ... | Delivery Coach Driver | |
| Peter White | ... | Delivery Assistant | |
| rest of cast listed alphabetically: | |||
| Martin Nigel Davey | ... | Boat Servant (uncredited) | |
| Jazz Dhiman | ... | Member of Parliament (uncredited) | |
| Derek Hagen | ... | Parliamentary Messenger (uncredited) | |
| Peter Halpin | ... | Clerk (uncredited) | |
| Alwyn Scott | ... | Parliamentary Clerk (uncredited) | |
| Aaron Sweeney | ... | Member of Parliament (uncredited) | |
| Nick Thomas-Webster | ... | Member of Parliament (uncredited) | |
| Tom Toolan | ... | Member of Parliament (uncredited) | |
| Chris Wilson | ... | Member of Parliament (uncredited) | |
Directed by | |||
| Michael Apted | |||
Writing credits(WGA) | ||
| Steven Knight | (written by) | |
Produced by | |||
| James Clayton | .... | executive producer | |
| Mark Cooper | .... | co-producer | |
| Patricia Heaton | .... | producer | |
| David Hunt | .... | producer | |
| Jeanney Kim | .... | executive producer | |
| Terrence Malick | .... | producer | |
| Edward R. Pressman | .... | producer (as Edward Pressman) | |
| Duncan Reid | .... | executive producer | |
| Ken Wales | .... | producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Remi Adefarasin | (director of photography) | ||
Film Editing by | |||
| Rick Shaine | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Charles Wood | |||
Art Direction by | |||
| David Allday | (supervising art director) | ||
| Stephen Bream | |||
| Matthew Gray | (senior art director) (as Matt Gray) | ||
Set Decoration by | |||
| Eliza Solesbury | |||
Costume Design by | |||
| Jenny Beavan | |||
Makeup Department | |||
| Sharon Colley | .... | hair stylist trainee: crowd | |
| Sharon Colley | .... | makeup artist trainee: crowd | |
| Mandy Gold | .... | hair stylist | |
| Mandy Gold | .... | makeup artist | |
| John Henry Gordon | .... | hair stylist (as Jon Henry Gordon) | |
| John Henry Gordon | .... | makeup artist (as Jon Henry Gordon) | |
| Susan Howard | .... | hair stylist (as Sue Howard) | |
| Susan Howard | .... | makeup artist (as Sue Howard) | |
| Julie Kendrick | .... | hair stylist: crowd | |
| Julie Kendrick | .... | makeup artist: crowd | |
| Katie Lee | .... | makeup trainee | |
| Loulia Sheppard | .... | hair stylist | |
| Loulia Sheppard | .... | makeup artist | |
| Jenny Shircore | .... | hair designer | |
| Barbara Taylor | .... | crowd makeup artist | |
| Julia Vernon | .... | chief hair stylist: crowd | |
| Julia Vernon | .... | chief makeup artist: crowd | |
| Suzanne Jansen | .... | crowd hair stylist (uncredited) | |
| Suzanne Jansen | .... | crowd makeup artist (uncredited) | |
| Jenny Shircore | .... | makeup designer (uncredited) | |
| Barbara Taylor | .... | crowd hair stylist (uncredited) | |
Production Management | |||
| Tom Crooke | .... | unit manager | |
| Jeffrey Harlacker | .... | post-production supervisor | |
| Angus More Gordon | .... | unit production manager | |
| Graham Stumpf | .... | post-production supervisor | |
| Marisa Clayton | .... | post-production supervisor: Modern VideoFilm (uncredited) | |
| Douglas Jones | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Paul Bennett | .... | additional third assistant director | |
| Barney Hughes | .... | third assistant director | |
| Olivia Lloyd | .... | second assistant director | |
| Vicky Marks | .... | third assistant director: second unit | |
| Alex Oakley | .... | first assistant director: second unit | |
| Lance Roehrig | .... | second second assistant director | |
| Deborah Saban | .... | first assistant director | |
| Danny McGrath | .... | assistant director (uncredited) | |
Art Department | |||
| Joe Alley | .... | carpenter | |
| Steven Bede | .... | stagehand (as Steve Bede) | |
| Perry Bell | .... | painter | |
| Mat Bergel | .... | chargehand stand-by propman | |
| John Bohan | .... | construction manager | |
| Tim Browning | .... | draughtsman | |
| Bob Cann | .... | carpenter (as Robert Cann) | |
| Darryl Carter | .... | carpenter | |
| Lisa Chugg | .... | props buyer | |
| Fiona Clarke | .... | art department apprentice | |
| Graham Cole | .... | carpenter | |
| Graham Cole | .... | supervising carpenter | |
| Bernard Collins | .... | carpenter (as Bernie Collins) | |
| Nigel Crafts | .... | carpenter | |
| Adam Crosby | .... | painter | |
| Ben Crosby | .... | painter | |
| Ray Dell | .... | stagehand | |
| Romek Delmata | .... | concept artist (as Romek Delimata) | |
| Clive Drinkall | .... | stagehand (as Clive Drinkell) | |
| Colin Ellis | .... | dressing propman | |
| Jools Faiers | .... | graphic designer | |
| Nico Ferrari | .... | carpenter trainee | |
| Michael Finlay | .... | painter | |
| Gordon Fitzgerald | .... | property master | |
| Robert Flint | .... | stagehand (as Rob Flint) | |
| Sarah Forbes | .... | assistant set decorator | |
| David Fullbrook | .... | plasterer (as Dave Fullbrook) | |
| Nick Goodall | .... | carpenter | |
| Gavin Gordon | .... | carpenter | |
| Warren Greenham | .... | painter (as Warren Grenham) | |
| Alan Grenham | .... | painter | |
| Peter Grove | .... | carpenter (as Peter Groves) | |
| C.J. Guinness | .... | art department intern (as J.C. Guinness) | |
| Jessie Hammond | .... | painter | |
| Mark Hedges | .... | prop storeman | |
| Terry Heggarty | .... | painter | |
| Roger Holden | .... | key greensman | |
| Jason Hopperton | .... | dressing propman | |
| Tony Horsefield | .... | plasterer (as Anthony Horsefield) | |
| Christian Huband | .... | assistant art director | |
| Jonathan Ivall | .... | painter (as John Ivall) | |
| Nicky Kaill | .... | painter (as Nicholas Kaill) | |
| Peter Kane | .... | painters laborer | |
| John Keenan | .... | stagehand | |
| Scott Keery | .... | stand-by propman | |
| George King | .... | stagehand | |
| David Lowery | .... | carpenter (as Dave Lowery) | |
| Bernie Mayor | .... | carpenter | |
| Richard A. McCarthy | .... | hod plasterer (as Richard McCarthy) | |
| Richard A. McCarthy | .... | plasterer (as Richard McCarthy) | |
| Sean McCarthy | .... | carpenter | |
| Eamon McLoughlin | .... | hod carpenter | |
| David Mears | .... | chargehand painter (as Dave Mears) | |
| James Muir | .... | stagehand | |
| Eric Nash | .... | plasterer | |
| Geoff Nolan | .... | carpenter | |
| Roy O'Brien | .... | carpenter | |
| John O'Connor | .... | carpenter | |
| John O'Regan | .... | carpenter | |
| Mark Overall | .... | carpenter | |
| Steve Payne | .... | dressing propman | |
| Douglas Regan | .... | painter (as Doug Regan) | |
| John Russo | .... | stagehand | |
| Bob Sherwood | .... | chargehand dressing propman | |
| Mike Smith | .... | carpenter | |
| Paul Smith | .... | carpenter | |
| Ray Staples | .... | supervising plasterer | |
| Matthew Start | .... | painter | |
| Jeff Sullivan | .... | painter | |
| Jim Taylor | .... | plasterer | |
| Tony Vice | .... | plasterer | |
| Clive Ward | .... | hod painter | |
| Clive Ward | .... | painter | |
| Kenneth Welland | .... | painter (as Kenny Welland) | |
| Steve Weston Jr. | .... | wood machinist (as Steven Weston Jr.) | |
| William West | .... | carpenter | |
| Matt Whelan | .... | carpenter | |
| Paul Whitelock | .... | painter | |
| Julie Whorlow | .... | apprentice painter | |
| Peter Wilkinson | .... | painter | |
| Darrell Williams | .... | plasterer (as Darryl Williams) | |
| David Williamson | .... | stand-by carpenter | |
| Ashley Winter | .... | stand-by art director | |
| Paul Wolstencroft | .... | stagehand (as Paul Woltsencroft) | |
| Bradley Woodbridge | .... | stand-by painter | |
| Colin Woodbridge | .... | carpenter | |
| Tony Wright | .... | storyboard artist | |
| Helen Xenopoulos | .... | assistant art director | |
| David Youngs | .... | carpenter (as Dave Youngs) | |
| Daniel Elias | .... | props (uncredited) | |
| Lee Hedges | .... | dressing prop daily (uncredited) | |
| Dougie Lankston | .... | dressing prop daily (uncredited) | |
| Toby Shears | .... | propmaker (uncredited) | |
| Keith Stevenson | .... | set dresser (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Mark Haddenham | .... | senior special effects technician | |
| David McGeary | .... | special effects technician (uncredited) | |
| Tez Palmer | .... | special effects technician (uncredited) | |
| Nigel Wilkinson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Will Broadbent | .... | CG modeler: MPC | |
| Izet Buco | .... | rotoscope artist: MPC | |
| Greg Butler | .... | visual effects supervisor | |
| Naomi Butler | .... | roto artist | |
| Mark Curtis | .... | compositor: MPC | |
| Giles Davies | .... | CG modeler: MPC | |
| Laura Dubsky | .... | rotoscope artist: MPC | |
| Shayne Farrier | .... | rotoscope artist: MPC | |
| Matt Foster | .... | rotoscope artist: MPC | |
| Roger Gibbon | .... | digital matte and texture painter: MPC | |
| David Gibbons | .... | digital matte and texture painter: MPC (as Dave Gibbons) | |
| Jami Gigot | .... | CG modeler: MPC | |
| Lisa Gonzalez | .... | matchmove artist: MPC | |
| Lionel Heath | .... | rotoscope artist: MPC | |
| Richard Helliwell | .... | rotoscope artist: MPC | |
| Vlad Holst | .... | digital matte and texture painter: MPC | |
| Ryan Hutchings | .... | rotoscope artist: MPC | |
| Stephen Jolley | .... | CG modeler: MPC | |
| Drew Jones | .... | visual effects executive producer: MPC | |
| Peng Ke | .... | matchmove artist: MPC | |
| John Leonti | .... | cg supervisor: MPC | |
| Christopher Lloyd | .... | visual effects editor | |
| Hugh Macdonald | .... | compositor: MPC | |
| Nakia McGlynn | .... | matchmove Artist: MPC | |
| Alasdair McNeill | .... | rotoscoping supervisor: MPC | |
| Dylan Murray | .... | matchmove artist: MPC | |
| Dan Neal | .... | digital environment artist: MPC | |
| Jessica Norman | .... | compositing supervisor: MPC | |
| Jessica Norman | .... | compositor: MPC | |
| Mike Outlaw | .... | rotoscope artist: MPC | |
| Simon Payne | .... | matchmove Artist: MPC | |
| Becky Roberts | .... | rotoscoping coordinator: MPC | |
| Vi Smith | .... | compositor: MPC | |
| Piotr Stanczyk | .... | visual effects technical support: MPC | |
| Mark Streatfield | .... | visual effects technical support: MPC | |
| David Sudd | .... | matchmove artist: MPC | |
| Claire Thomson | .... | rotoscope artist: MPC | |
| Chris Thunig | .... | digital matte and texture painter: MPC | |
| Mark Tremble | .... | rotoscope artist: MPC (as Mark Tran-Tremble) | |
| Julia Wigginton | .... | visual effects producer | |
| Melody Woodford | .... | matchmove Artist: MPC | |
| Paul Alexiou | .... | visual effects film editorial: MPC (uncredited) | |
| Oliver Armstrong | .... | roto artist (uncredited) | |
| Tim Barter | .... | roto/prep supervisor: escape pod (uncredited) | |
| Stephen Bearman | .... | scanning supervisor (uncredited) | |
| Stuart Bullen | .... | roto/prep artist (uncredited) | |
| Jon Capleton | .... | matchmove artist (uncredited) | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Amit Desai | .... | technical tracker (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Michael Elson | .... | executive producer: MPC (uncredited) | |
| Marc Hutchings | .... | roto/prep artist: MPC (uncredited) | |
| Owen Jones | .... | matchmove artist (uncredited) | |
| Gary Marshall | .... | previs artist: MPC (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Javad Matoorian-Pour | .... | roto artist (uncredited) | |
| Ryan Mullany | .... | roto/prep artist (uncredited) | |
| Martin Newcombe | .... | matchmove artist (uncredited) | |
| Adrian Pinder | .... | pre-visualisation artist: MPC (uncredited) | |
| John Purdie | .... | roto/prep (uncredited) | |
| James Russell | .... | digital compositor: MPC (uncredited) | |
| Laurel Schneider | .... | coordinator: Moving Picture Co. (uncredited) | |
| Laurel Schneider | .... | liason: Los Angeles (uncredited) | |
| Paul Shore | .... | scanning supervisor (uncredited) | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
| Paul Venn Stirling | .... | prep artist: MPC (uncredited) | |
| Paul Venn Stirling | .... | roto artist: MPC (uncredited) | |
| Dan Warder | .... | data operator (uncredited) | |
| Tamara Watts Kent | .... | visual effects consultant (uncredited) | |
| Chris Wilson | .... | render wrangler: MPC (uncredited) | |
| Oliver Winwood | .... | assistant digital resource manager: MPC (uncredited) | |
| Anna Yamazoe | .... | render wrangler: MPC (uncredited) | |
Stunts | |||
| Rob Inch | .... | assistant stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Ben Adefarasin | .... | camera trainee | |
| John Adefarasin | .... | clapper loader | |
| Rene Adefarasin | .... | additional clapper loader | |
| Steve Anthony | .... | chargehand rigging electrician | |
| David Appleby | .... | grip: second unit | |
| John Arnold | .... | key grip | |
| Chris Bain | .... | additional focus puller | |
| Sam Barnes | .... | focus puller: "b" camera | |
| Ray Bateman | .... | generator operator | |
| Les Beaver | .... | rigger | |
| Stuart Bunting | .... | additional grip | |
| Tony Burns | .... | electrician (as Antony Burns) | |
| David Cadwallader | .... | additional grip | |
| Keith Carey | .... | chargehand rigger | |
| Chris Clarke | .... | clapper loader: "b" camera | |
| Murray Close | .... | still photographer | |
| David Cozens | .... | focus puller | |
| Frederick Crawford | .... | chargehand rigger (as Fred Crawford) | |
| Nic Cupac | .... | additional grip | |
| Laurence Edwards | .... | crane operator | |
| Simon Finney | .... | camera operator | |
| Mark Funnell | .... | best boy (as Mark Funnel) | |
| Mark Funnell | .... | best boy | |
| Guy Hammond | .... | electrician | |
| Gary Hutchings | .... | additional grip | |
| William Keenan | .... | rigger | |
| Martin Kenzie | .... | director of photography: second unit | |
| Stuart King | .... | rigging gaffer | |
| Andrew Lawrence | .... | camera trainee: second unit | |
| Oliver Loncraine | .... | focus puller: second unit | |
| Clive Mackey | .... | additional focus puller | |
| Tobias Marshall | .... | camera trainee: FT2 | |
| Ray Meere | .... | additional clapper loader | |
| Paul Molloy | .... | electrician | |
| Russell O'Connor | .... | crane operator | |
| Ben Perry | .... | additional clapper loader | |
| George Powell | .... | crane operator | |
| Ben Pritchard | .... | additional clapper loader | |
| Gary Romaine | .... | grip: second unit | |
| Colin Smith | .... | stand-by rigger | |
| Brian Sullivan | .... | rigging electrician | |
| Andy Thompson | .... | electrical rigger | |
| Alf Tramontin | .... | additional Steadicam operator | |
| Ben Wilson | .... | camera operator: "a" camera, second unit (as Ben Fox Wilson) | |
| Ben Wilson | .... | electrician | |
| Jimmy Wilson | .... | gaffer | |
| David Worley | .... | additional camera operator | |
| Joe McGee | .... | practical electrician (uncredited) | |
| Taylor Tulip-Close | .... | assistant still photographer (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Stephen Moore | .... | casting assistant: UK | |
Costume and Wardrobe Department | |||
| Georgina Greathead | .... | trainee seamstress | |
| Joe Kowalewski | .... | assistant costume supervisor (as Joseph Kowlewski) | |
| Rodney Langer-Paget | .... | costume runner | |
| Charlotte Law | .... | costume production assistant: Jenny Beavan | |
| Stephen Miles | .... | costume workroom supervisor | |
| Sophie Norinder | .... | wardrobe assistant (as Sophie Norrinder) | |
| David Otzen | .... | costume assistant | |
| Sunita Singh | .... | costume assistant | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | costume assistant | |
| Rob Brown | .... | costume assistant (uncredited) | |
| Kate Newbold | .... | costume junior (uncredited) | |
| Lora E. Revitt | .... | junior costume assistant (uncredited) | |
| Celia Yau | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate producer: EFilm (as Terra Bliss) | |
| Gary Burritt | .... | negative cutter | |
| Michael Eaves | .... | supervising digital colorist: EFilm (as Mike Eaves) | |
| Martin C. Heselov | .... | first assistant editor (as Marty Heselow) | |
| Toby Lloyd | .... | second assistant editor | |
| Jason Miller | .... | post-production coordinator | |
| Kathryn Morey | .... | trainee: editing | |
| Jami Philbrick | .... | post-production runner | |
| Stephen R. Sheridan | .... | color timer | |
| Trudy Yee | .... | assistant editor | |
| Greg Barrett | .... | scanning producer (uncredited) | |
| Rebecca Budds | .... | film scanning coordinator (uncredited) | |
| Ryan Helsley | .... | assistant digital intermediate producer (uncredited) | |
| Chris Jensen | .... | digital intermediate colorist assist: Efilm (uncredited) | |
| Robb Porter | .... | post-production coordinator: Modern VideoFilm (uncredited) | |
Music Department | |||
| John Bradbury | .... | orchestra leader | |
| Chris Cozens | .... | auricle control systems | |
| Nicholas Dodd | .... | conductor (as Nicolas Dodd) | |
| Nicholas Dodd | .... | orchestrator (as Nicolas Dodd) | |
| The Dufay Collective | .... | musicians: baroque music | |
| Dina Eaton | .... | music editor | |
| Lindsay Fellows | .... | music supervisor | |
| Andrew Findon | .... | musician: ethnic flute (as Andy Findon) | |
| Olga FitzRoy | .... | second assistant music engineer | |
| Geoff Foster | .... | music score mixer | |
| Geoff Foster | .... | score recordist | |
| Dan Gillingwater | .... | musical advisor | |
| Paul Gladstone Reid | .... | choir master | |
| Isobel Griffiths | .... | orchestra contractor | |
| Jake Jackson | .... | first assistant music engineer | |
| Pete Lockett | .... | musician: ethnic percussion | |
| Daryl Moulton | .... | singing coach | |
| New Renaissance Choir | .... | musicians: special | |
| Rob Playford | .... | music programing: score | |
| George Acogny | .... | music coordinator (uncredited) | |
| Johnny Caruso | .... | additional music editor (uncredited) | |
Transportation Department | |||
| Phil Allchin | .... | transportation captain | |
| Trevor Atkin | .... | driver: minibus (as Trevor Atkins) | |
| Waseem Barlas | .... | unit driver | |
| Colin Bressington | .... | driver: transportation facilities (as Colin Brassington) | |
| John Burden | .... | driver: minibus | |
| Alan Burrows | .... | driver: construction truck (as Alan Burrow) | |
| John Coleman | .... | unit driver | |
| Peter Collins | .... | unit driver (as Pete Collins) | |
| Colin Davies | .... | unit driver | |
| Michael Harris | .... | transportation facilities manager | |
| John Hollywood | .... | unit driver | |
| Martin Lewis | .... | driver: camera car | |
| Colin Morris | .... | unit driver | |
| Richard Ong | .... | driver: transportation facilities | |
| Abbi Ozturk | .... | unit driver | |
| Finn Parker | .... | driver: transportation facilities | |
| Duncan Prentis | .... | driver: transportation facilitiers (as Duncan Prentice) | |
| Terry Rhys | .... | unit driver | |
| Mark Richards | .... | unit driver | |
| Eddie Saunders | .... | driver: prop truck (as Eddie Saunder) | |
| Albert Smith | .... | driver: transportation facilities | |
| Alan Watts | .... | unit driver | |
Other crew | |||
| Colette Appleby | .... | utility stand-in (as Collette Appleby) | |
| Guy Barker | .... | financial controller | |
| Holly Bates | .... | assistant accountant | |
| Kevin Belmonte | .... | historical advisor | |
| Bob Beltz | .... | special advisor | |
| Alison Brister | .... | business and legal affairs: Ingenious Film Partners | |
| Hannah Brown | .... | floor runner: second unit | |
| Chorley Bunce | .... | caterer | |
| Gilly Case | .... | location scout | |
| Helen Chapman | .... | floor runner: second unit | |
| Cara Cheeseman | .... | post production consultant | |
| Kazuko Cowley | .... | legal services | |
| Chris Cranstoun | .... | location assistant | |
| Bill Darby | .... | supervising location manager | |
| Teresa Darby | .... | location manager | |
| R.H. Davies | .... | marine coordinator (as Robin Davies) | |
| Kate Davis | .... | legal services | |
| Emma Dent | .... | horse mistress | |
| Steve Dent | .... | supplier: horses and carriages | |
| Sara Dony | .... | unit nurse | |
| Mark Fielding | .... | accountant: Ingenious Film Partners | |
| Linda Gamble | .... | unit publicist | |
| Hannah Godwin | .... | assistant: Mark Cooper | |
| Anne Marie Gormley | .... | first assistant accountant | |
| Bob Gowland | .... | golf advisor | |
| Robin Hilton | .... | legal services | |
| Emily Hobbs | .... | base runner | |
| Paula Jack | .... | voice coach: Youssou N'Dour | |
| Paula Jalfon | .... | production executive: physical production, Ingenious Film Partners | |
| Martin Joy | .... | location manager | |
| Esther Kelly | .... | head animal trainer | |
| Cort Kristensen | .... | assistant: Michael Apted | |
| Matthew Lee | .... | assistant production coordinator | |
| Donna McCormick-Smith | .... | animal trainer | |
| Steve Morphew | .... | stand-in: Ioan Gruffudd (as Stephen Morphew) | |
| Clarissa Newman | .... | production coordinator | |
| David Parlett | .... | card advisor | |
| Amelia Price | .... | assistant: Mr Gruffudd | |
| David Redhead | .... | assistant marine coordinator | |
| Charlie Reed | .... | floor runner | |
| Steve Ricard | .... | utility stand-in | |
| Catherine Rushworth | .... | unit nurse: second unit | |
| Ben Schoen | .... | title designer | |
| Julie Shapiro | .... | travel arranger | |
| Gemma Smithers | .... | assistant accountant | |
| Bertie Spiegelberg | .... | production runner | |
| Jane Steele | .... | assistant accountant | |
| Jenny Uglow | .... | etiquette advisor | |
| Angela Wharton | .... | script supervisor (as Angela Noakes Wharton) | |
| Lesley Wise | .... | legal and business affairs: Ingenious Film Partners | |
| Joanne Woodward | .... | post-production accountant | |
| Tonia Wright | .... | assistant: Jeanney Kim | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances (uncredited) | |
| Dougal Cousins | .... | location scout: Ireland (uncredited) | |
| Andrew Dalmahoy | .... | location scout (uncredited) | |
| Evan Feuerman | .... | assistant post-production accountant (uncredited) | |
| Christopher Fosh | .... | military stand-in (uncredited) | |
| Samantha Gardner | .... | production assistant: re-shoot (uncredited) | |
| Matthew Jenkins | .... | production coordinator: re-shoot (uncredited) | |
| Mark Joseph | .... | development (uncredited) | |
| Forbes KB | .... | military stand-in (uncredited) | |
| Sarah Ramey | .... | assistant to producer (uncredited) | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances (uncredited) | |
| Tracey Taylor | .... | accounts trainee (uncredited) | |
| Clodagh Tierney | .... | location scout (uncredited) | |
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| Gone with the Wind | Giant | 8½ | L'albero degli zoccoli | Que la fête commence... |
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I had the pleasure this past week of seeing a pre-screening outside of Washington, D.C. of the movie Amazing Grace, starring Reed Richards...err...Ioan Gruffudd as William Wilberforce the famous British Christian politician that helped end the slave trade in Great Britain in the early 18th Century. The movie progresses through Wilberforce's life from about the time he begins his crusade against the slave trade in Parliament in his early 20's to the time it is eventually abolished. Everything in between is composed of all the hardships, victories, and relationships he goes through in the meantime. At some points the story can be a bit yawn inducing, but the film consistently seems to add just the right amount of humor or political intrigue to keep it afloat (more on the pacing below). There is a love interest Barbara, played by the quite attractive and dynamic Romola Garai, who keeps Mr. Fantastic...err...Wilberforce on track and encouraged. You get the feeling he would've never made it through the hard times without her (which is probably the case for most successful men as they say). The film does delve into evils of the slave trade, but it doesn't focus specifically on it, much like Amistad did focus on it. It seems to keep the main goal in mind, abolishing that heinous evil. This gives the film a "glass half full" feeling instead of a "glass half empty" one. You find yourself cheering for the good guys instead of seeking the heads of the bad ones.
You may be thinking they should've just called this film "Amistad: The Prequel", but that would do it a great disservice. Where Amistad succeeded in many ways such as exposing the horror of the slave trade in much more visual and visceral detail and containing great acting by Djimon Hounsou and Anthony Hopkins, I feel you ultimately left the theater not really feeling much better about anything. In fact, I'd say you may have left if feeling worse, maybe even shameful and/or guilty. Amazing Grace doesn't feel like that. In fact, it's not even really a "feel good" movie; it transcends that status. It's really a "do good" movie. You almost feel personal empowerment from the story, like you want to go out and change some social injustice yourself! Sure, we don't all have the political clout of a William Wilberforce, but we do have a voice. And I think that's why Amazing Grace stands above previous "social injustice" films like it. It feels organic instead of static. It feels like it could apply to today instead of some time long forgotten. It also appeals to everyone; black, white, or whoever. One African-American in the audience mentioned how he was impressed and encouraged at how passionate these white men were for the plight of the slaves. You also realize that slavery wasn't just an American problem, it was a world problem; which further emphasized the fact that the social injustice we see today isn't just a "fill_in_the_blank" problem, it's a world problem.
I'm not knowledgeable enough to comment very much on the technical aspects of this film, but don't let the religious overtones fool you into thinking this is another technical mess like so many in the past. It is on par with any period film of its kind from Hollywood in almost every way; acting, set design, costume design, story, etc.
One thing I found a drawback to it was its pacing though. It starts off fairly tepid, and though it builds up, it seems to go through a cycle of building up and then falling back down again. This could ultimately be a good thing though, because if you can keep your focus throughout the film, you'll be in for a very powerful ending that evokes positive emotions you didn't think you had, and I think the cyclic nature of the film's progress enhances the fulfillment the ending provides. I also found the time period jumping around within the film to be a bit confusing at some points; like some scenes I didn't know if they were in the past or present.
The representative at the screening said the movie would be playing on about 850 screens nationwide on its opening weekend (Feb. 23). Though this is small compared to most major movies, it is a pretty good amount for a smaller movie like this. I recommend going to see it if you're interested in a movie with depth, passion, character, goodness, virtue, and victory. Does it entertain? Sure. But it seems to do a little more also. You can't say that about too many movies these days. You won't leave wishing you had that $8.50 back.
In case you're wondering about the title, John Newton, the composer of the famous hymn 'Amazing Grace', (played powerfully by Albert Finney), was a contemporary and friend of William Wilberforce. John Newton was also a reformed ex-slave trader.