| Photos (see all 11 | slideshow) | Videos (see all 21) |
| Matthew Chamberlain | ... | Oliver Oldfield (as Matt Chamberlain) | |
| Nick Fenton | ... | Young Henry | |
| Sam Clarke | ... | Young Tucker | |
| Eli Kent | ... | Young Angus | |
| Nathan Meister | ... | Henry Oldfield | |
| Nick Blake | ... | Taxi Driver | |
| Oliver Driver | ... | Grant | |
| Danielle Mason | ... | Experience | |
| Peter Feeney | ... | Angus Oldfield | |
| Glenis Levestam | ... | Mrs. Mac | |
| Richard Chapman | ... | Muldoon | |
| Louis Sutherland | ... | Winston | |
| Tammy Davis | ... | Tucker | |
| Tandi Wright | ... | Doctor Rush | |
| Ian Harcourt | ... | Brash | |
| James Ashcroft | ... | Prebble | |
| Mick Rose | ... | Mike | |
| Kevin McTurk | ... | Weresheep | |
| Lucy Briant | ... | Investor | |
| Justin B. Carter | ... | Investor (as Justin Carter) | |
| Deana Elvins | ... | Investor | |
| Luke Hawker | ... | Investor | |
| Jono Manks | ... | Investor (as Jono Marks) | |
| Lewis Rowe | ... | Investor | |
| Peter Rutherford | ... | Investor | |
| Matthew Saville | ... | Investor | |
| Richard Whiteside | ... | Investor | |
| Min Windle | ... | Investor | |
| Tim Wong | ... | Investor |
Directed by | |||
| Jonathan King | |||
Writing credits | ||
| Jonathan King | (written by) | |
Produced by | |||
| Philippa Campbell | .... | producer | |
| Judith Trye | .... | line producer | |
Original Music by | |||
| Victoria Kelly | |||
Cinematography by | |||
| Richard Bluck | |||
Film Editing by | |||
| Chris Plummer | |||
Casting by | |||
| Liz Mullane | |||
Production Design by | |||
| Kim Sinclair | |||
Art Direction by | |||
| Simon Bright | |||
Set Decoration by | |||
| Tanea Chapman | |||
Costume Design by | |||
| Pauline Bowkett | |||
Makeup Department | |||
| Debra Ashton | .... | additional makeup artist | |
| Hayley Atherton | .... | makeup assistant | |
| Debra East | .... | makeup supervisor | |
| Davina Lamont | .... | special makeup effects artist | |
| Samantha Lyttle | .... | special makeup effects technician | |
| Angela Mooar | .... | additional makeup artist | |
| Jess Reedy | .... | special makeup effects artist | |
Production Management | |||
| Rosemary Dority | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Lowe | .... | second assistant director | |
| Joe Nolan | .... | first assistant director | |
Art Department | |||
| Brett Blenkin | .... | carpenter | |
| Vanessa Cole | .... | assistant art director | |
| Neil Kirkland | .... | construction manager | |
| Alastair Maher | .... | head scenic | |
| Eileen McCann | .... | set finisher | |
| Francie McGirr | .... | art runner | |
| Nick Riera | .... | on-set carpenter | |
| Sarah Weinberg | .... | stand-by props | |
| Gillian West-Walker | .... | set dresser | |
| Ben Whale | .... | set dresser | |
Sound Department | |||
| Phil Burton | .... | temp mixer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Chris Hiles | .... | sound recordist | |
| Gilbert Lake | .... | sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Robyn McFarlane | .... | foley recordist | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | sound designer | |
| Sam Spicer | .... | boom operator | |
| Chris Todd | .... | dialogue editor | |
Special Effects by | |||
| Steven Boyle | .... | special effects makeup artist | |
| Marion Davey | .... | creature effects coordinator: Weta Workshop | |
| Chris Guise | .... | designer | |
| Iain Hutton | .... | armourer | |
| Iain Hutton | .... | special effects technician | |
| Phil McLaren | .... | special effects supervisor | |
| Gayle Munro | .... | production manager: Weta Workshop | |
| Richard Taylor | .... | special effects | |
| Paul Tobin | .... | designer | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| George Port | .... | visual effects supervisor: PRPVFX | |
| Abigail Scollay | .... | digital compositor | |
| Pete Williams | .... | scanning and recording manager: Weta Digital | |
| Carol Petrie | .... | visual effects artist: PRPVFX Limited (uncredited) | |
| George Ritchie | .... | visual effects artist: PRPVFX Limited (uncredited) | |
Stunts | |||
| Justin B. Carter | .... | stunts | |
| Augie Davis | .... | stunt coordinator | |
| Winham Hammond | .... | stunts | |
| Tim McLachlan | .... | stunt double | |
| Tim Wong | .... | assistant stunt coordinator | |
| Tim Wong | .... | fight coordinator | |
Camera and Electrical Department | |||
| David Brown | .... | gaffer | |
| Jamie Couper | .... | lighting technician | |
| Dion Hartley | .... | key grip | |
| Garth Michael | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Chantelle Bowkett | .... | costume assistant | |
| Pauline Laws | .... | head pattern maker | |
Editorial Department | |||
| Clare Burlinson | .... | digital intermediate colorist | |
| David Hollingsworth | .... | telecine colorist | |
| Shanon Moratti | .... | digital intermediate editor | |
| Nicola Spencer | .... | assistant editor | |
Other crew | |||
| Anne Chamberlain | .... | unit publicist | |
| James Delaney | .... | animal trainer | |
| Caroline Girdlestone | .... | animal trainer | |
| Thea Govorko | .... | production secretary | |
| Matthew Grainger | .... | script consultant | |
| Veronique Lawrence | .... | script supervisor | |
| Andy Wickens | .... | lab liaison | |
| Brigitte Yorke | .... | production coordinator | |
Thanks | |||
| Peter Jackson | .... | thanks | |
| Terry Rossio | .... | thanks | |
| Jamie Selkirk | .... | thanks | |
| Michael Stephens | .... | thanks | |
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| Dèmoni 2: L'incubo ritorna | Zombi 2 | Re-Animator | Night of the Demon | Beyond Re-Animator |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb New Zealand section |
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Black Sheep, a black comedy from Jonathan King, was anything but sheepish when it came to blood and gore. Reminiscent of early Peter Jackson films, the graphic detail is bound to make you squirm, and at times chuckle. Incidentally, the film borrowed one of Jackson's Oscar winning tools, Weta Workshops. Needless to say the effects are bound to impress.
With a number of international movies shot in New Zealand with plots that could easily take place anywhere, Black Sheep offers a refreshingly unique New Zealand twist to the well-used zombie theme. The characters and issues related so well that even the Aussies couldn't claim it as their own- well, except maybe the sheep shagging jokes.
It certainly doesn't take long to adjust to hearing Kiwi accents on the big screen and start relishing in the subtle humour, grotesque effects and brilliant performances by some underrated New Zealand talent.
King's first feature film has taken the zombie flick back to grass roots level. Not baaad.