| Photos (see all 5 | slideshow) | Videos (see all 6 NEW) |
| Travis Aaron Wade | ... | John Hickman | |
| Tina Huang | ... | Brooks | |
| Howard Johnson Jr. | ... | Ben | |
| Trevor Bullock | ... | Quincy | |
| Rajiv Shah | ... | Wayne | |
| Jason Foster | ... | Jake | |
| Nick Tagas | ... | Ricky | |
| Phillip K. Torretto | ... | Beer Belly Redneck | |
| rest of cast listed alphabetically: | |||
| Cimi Ahluwalia | ... | Cimi | |
| Robert Mailer Anderson | ... | Big Train | |
| Bryonn Bain | ... | Hippie Stranger | |
| Vince Ballew | ... | Gas Mask | |
| Max Barnett | ... | ZZ Driver | |
| Leanne Borghesi | ... | Darlene | |
| Ty Brenneman | ... | Sexy Cult Girl | |
| Cara Cameron | ... | Cult Girl | |
| Les Claypool | ... | Preacher | |
| Lane Foard | ... | Lex Wockenfuss | |
| Lanie Grainger | ... | Poppy | |
| Marissa Ingrasci | ... | Sage | |
| India Isaac | ... | India | |
| Joe Lucas | ... | Homeless Vet | |
| Christina McKay | ... | Crystal | |
| Charlie Musselwhite | ... | Charlie | |
| Henrietta 'Henri' Musselwhite | ... | Woman shelving cans of creamed corn | |
| Chris Paxton | ... | Billy Stankbud | |
| Michelle Redwine | ... | Willow | |
| Luis Saguar | ... | Tj | |
| Karen Viola | ... | Cult Girl | |
Directed by | |||
| James Isaac | |||
Writing credits(in alphabetical order) | ||
| Robert Mailer Anderson | writer | |
| Zack Anderson | writer | |
Produced by | |||
| Robert Mailer Anderson | .... | executive producer | |
| Rory Enke | .... | line producer | |
| James Isaac | .... | co-producer | |
| Nicola Miner | .... | executive producer | |
Original Music by | |||
| David E. Russo | |||
Cinematography by | |||
| Adam Kane | |||
Film Editing by | |||
| Graham Willcox | |||
Casting by | |||
| Nancy Hayes | |||
Production Design by | |||
| Geoffrey Kirkland | |||
Art Direction by | |||
| Garrett Lowe | |||
Set Decoration by | |||
| Kris Boxell | |||
Costume Design by | |||
| Aggie Guerard Rodgers | |||
Makeup Department | |||
| Aurora Bergere | .... | special makeup effects artist | |
| Nancy J. Hvasta Leonardi | .... | key hair stylist | |
| Sara Irving | .... | key makeup artist | |
Production Management | |||
| Jason Black | .... | unit production manager | |
Art Department | |||
| Dale Haugo | .... | lead scenic artist | |
| Richard Hunt | .... | greens person | |
| Patrick Ludden | .... | prop master | |
| Doni McMillan | .... | lead man | |
| Anna Rogers | .... | assistant property master | |
| Jona Tochet | .... | assistant art director | |
| Natalie Tyler | .... | assistant art director | |
Sound Department | |||
| Todd Beckett | .... | sound re-recording mixer | |
| Jon Caxton | .... | dialogue editor | |
| Jon Caxton | .... | sound effects editor | |
| Michael Elliott | .... | sound assistant | |
| Paul Germann | .... | sound editor | |
| Mark Gingras | .... | sound effects editor | |
| Robin Harlan | .... | foley artist | |
| Andy Newell | .... | sound designer | |
| Andy Newell | .... | supervising sound editor | |
| Dan Olmsted | .... | sound mixer | |
| Jason Perreira | .... | sound re-recording mixer | |
| Kyiakhalid Ruiz | .... | sound utility | |
| Fred Runner | .... | sound mixer | |
| Conrad Slater | .... | boom operator | |
| Andrew Tay | .... | sound re-recording mixer | |
| Mike Woroniuk | .... | sound re-recording mixer | |
Special Effects by | |||
| Thomas A. Barone | .... | special effects | |
| Carol Bauman | .... | lead creature fabricator | |
| Lisa Franklin | .... | special effects | |
| Jeff Gillam | .... | special effects | |
| Kimberley Anne Miller | .... | special effects | |
| Justin Sindicich | .... | special effects | |
| Tom Sindicich | .... | special effects coordinator | |
| Peter Stolz | .... | pyrotechnician | |
| I.J. Van Perre | .... | special effects | |
Visual Effects by | |||
| Mathieu Archambault | .... | digital compositor | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects producer | |
| Anna Bies | .... | creature modeler | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. | |
| Ian Chriss | .... | visual effects electrician: Kerner Optical | |
| Matt Daly | .... | visual effects coordinator: Mr. X Inc. | |
| Thai Son Doan | .... | paint & roto artist | |
| Anand Dorairaj | .... | digital compositor | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Andrei Gheorghiu | .... | digital compositor | |
| Erik Jensen | .... | creature effects supervisor | |
| Sarah McMurdo | .... | visual effects producer | |
| Mila Patriki | .... | digital intermediate colourist | |
| Sebastien Proulx | .... | visual effects production assistant | |
| Kevin Quatman | .... | digital compositor | |
| Matt Schofield | .... | digital artist | |
| Carolyn Shelby | .... | digital compositor | |
| Danny Wagner | .... | creature designer | |
| Kevin Wallace | .... | production manager: Kerner Optical | |
Stunts | |||
| Paul M. Lane | .... | utility stunts | |
| Shawn Lane | .... | stunt double: Phillip Torretto | |
| Vernon Lewis | .... | stunt double | |
| Rex Reddick | .... | stunt double | |
| Justin Sundquist | .... | stunt coordinator | |
| Michael Owen | .... | utility stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Judy Feil | .... | assistant costume designer | |
| Chris Proctor | .... | set costumer | |
| Deirdre Scully | .... | key costumer | |
Editorial Department | |||
| Dave Muscat | .... | digital intermediate editor | |
Music Department | |||
| Jonathan Beard | .... | musician | |
| Mark Willsher | .... | music editor | |
Transportation Department | |||
| Gene Alford | .... | transportation captain | |
| John Proctor | .... | transportation coordinator | |
| Jose Reynoso | .... | driver | |
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| Suspect Zero | Twilight | Last Getaway | Dr. Renault's Secret | Cobra |
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| News articles | IMDb Action section | IMDb USA section |
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A mashup of elements from "Razorback," "Deliverance" and other rural-peril faves, "Pig Hunt" proves an enjoyably offbeat hybrid horror exercise. Helmer Jim Isaac's first indie production, following several compromised studio efforts including sci-fi slasher "Jason X," amplifies the quirkiness of Robert and Zach Anderson's screenplay by unpredictably mixing disparate pacing, tones, humor and brute action. Sum isn't entirely satisfying, and the current marketplace preference for formulaic scare pics won't help B.O. But fans tired of rote remakes and ripoffs will appreciate the pic's idiosyncrasy. It's currently playing limited theatrical gigs while in search of a wider distribution deal.
Four twentysomething buds, led by John (Travis Aaron Wade), leave San Francisco for a weekend of game hunting in rural Mendocino County, though the guys-only plan goes south when John's g.f. Brooks (Tina Huang) -- who turns out to be the group's sharpest shooter -- insists on coming along.
After being warned about an improbable 3,000-lb. "Pigfoot" (aka "the Ripper") roaming wild, they acquire uninvited company in the form of two local yokels who have an apparent score to settle with John.
City-slicks-vs.-hicks tension soon gets ugly, resulting in full-on war waged by the large, inbred Tibbs clan against the panicked visitors. Meanwhile, carnivorous Hogzilla turns out to be no mythical beastie.
A local "hippie commune" consisting of one charismatic male (Bryonn Bain) and his sizable harem of Amazonian babes further adds to the eventual mayhem, which doesn't explode until halfway through the pic's runtime.
Slow start has its own rewards in atmosphere and slyly offbeat rhythms; when the porcine stool finally hits the fan, the action (especially that taking place chez Tibbs) is no-holds-barred muscular. Given the welcome sense that the story might lunge in any direction at any time, however, the final payoff (which involves some not-very-convincing creature effects) is a little less kicky than one might have hoped.
Perfs are enthusiastic, tech and design contribs above-average.
Score by Les Claypool of Primus adds to hipster cachet; he and blues mouth harpist Charlie Musselwhite contribute cameo roles.